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| akai-miniak |
The
Miniak is the first synthesizer from Akai Professional developed in partnership with the Alesis synthesis team. The Miniak brings together Akai Professional's control feel with powerful DSP sound-generation technology. The Miniak enables users to create programs with up to eight multi-timbral voices, each with three oscillators. The user can create interesting and unique sounds and take advantage of the synthesizer's more-than-600 preset sounds. Users can create complex and refined sounds using the Miniak's two multimode filters, three envelope generators, two LFOs, stereo effects and 40-band vocoder with gooseneck microphone. The Miniak also has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine/rhythm sequencer and an arpeggiator.
Users will appreciate the high-resolution, 24-bit balanced quarter-inch inputs and outputs for excellent sound quality. The Miniak has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software and keyboards via MIDI.
Miniak will be available from musical instrument and professional audio retailers Q3, 2009
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| Akai-MPD18 |
Akai announces the
MPD18 portable pad controller. The MPD18 is the smallest-sized model in Akai's line of MPD MIDI-over-USB pad controllers. The heart of the MPD18 is its bank of 16 velocity and pressure-sensitive genuine MPC pads, an Akai Professional exclusive. Users can access three different banks of sounds from the pads for a total of 48 sounds at once. The MPD18 also borrows the MPC series' assignable Q-Link controllers, enabling users to control nearly any parameters in their software in real time on an assignable Q-Link fader and an assignable Q-Link button. Users will find the MPD18 to be convenient, sending MIDI information over its plug-and-play USB interface for use with Mac or PC without installing any drivers. The USB connection also powers the MPD18 so musicians can use the controller with no power supply. The MPD18 can control nearly any MIDI software, as well as MIDI hardware, such as synths, sound modules, samplers, sequencers, drum machines and more.
The MPD18 will be available from musical instrument and professional audio retailers Q3, 2009.
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| akai-mpk88 |
The Akai Professional
MPK88 is a professional performance keyboard controller with MPC production controls. The MPK88 draws on the design of the popular MPK49, the first keyboard ever to features MPC pads. This first-of-its-kind keyboard is ideal for performance, starting with a premium, fully weighted, hammer-action keyboard, adding MPC pads, Q-Link controls, and a selection of MPC technologies. The MPK88 is born for the stage and is equally at home in the studio.
CREATIVE INPUT:
MPK88 features an 88-key keyboard and 16 genuine MPC pads. The hammer-action keyboard is fully weighted and features aftertouch for expressive melodic control. The MPC pads are pressure and velocity-sensitive to capture every nuance of your creative concepts. The pads can access four banks of sounds, so you have 64 samples at your fingertips with the touch of a button. The MPK88 places dedicated transport controls within your reach for easy control of some of the most important tracking and editing controls. The MPK88 has modulation and pitch-bend wheels for expressive musicality, and two assignable footswitch inputs enable you to connect an expression pedal or other continuous controller and a footswitch for momentary controls like patch change or start/stop.
Q-LINK COMMAND:
One of the most important input devices on an MPC is its Q-Link assignable control section. Akai Pro built a massive collection of Q-Links into the MPK series. The MPK88 gives you eight virtual knobs that are assignable to control nearly any software parameter. You can control three different parameters per knob thanks to the knobs' three-bank selection, totaling 24 parameters of instant, hands-on control. Like the virtual knobs, eight virtual faders and eight virtual buttons also control three banks of parameters each, so you get 24 virtual faders and 24 virtual buttons. That's 72 Q-Link controls!
EXPRESSIVE ENGINE:
Two technologies pioneered in the MPC series and built into the MPK series are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat is a capability that enables the MPK (or MPC) to automatically play a rhythm pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop" because it turns perfectly aligned sequences into human feeling time alignments. You can specify exactly the degree and timing of swing you want to apply for the perfect feel.
The MPK88 has Key Split, enabling you to control two different sounds from the same keyboard. On top of MPC technologies, the
MPK88 has its own arpeggiator, which enables you to create quick, creative riffs in seconds. Just pick a note or chord and a rhythm pattern in the arpeggiator's library and the MPK will play your notes in the rhythm and sequence you choose.
The MPK88 also has MPC Full Level and MPC 16-Level on its pads, as well as Tap Tempo and Time Division so you can nail the tempo, timing, and dynamics exactly as you hear them in your head.
The MPK88 will be available from pro audio and musical instrument retailers in Q3, 2009. more info:
Akaipro.com